David Allan Coe, the country singer-songwriter who wrote the working class anthem ā€œTake This Job and Shove Itā€ and had hits with ā€œYou Never Even Called Me By My Nameā€ and ā€œThe Rideā€ among others, has died, a representative for Coe confirmed to CBS News. He was 86.

Coe died in a hospital around 5 p.m. Wednesday, his manager David Wade confirmed to CBS News in a statement Thursday. The cause of death wasn’t disclosed.

ā€œHe was a complicated man, an outlaw, and a great Songwriter, Singer, and Showman,ā€ Coe said. ā€œHe had fans from around the world and appreciated them all.ā€

Coe’s wife, Kimberly Hastings Coe, told Rolling Stone he was one of the best singers and songwriters of our time.

ā€œMy husband, my friend, my confidant and my life for many years. I’ll never forget him and I don’t want anyone else to ever forget him either,ā€ she wrote to the publication.

Whether he was labeled outlaw or underground, Coe was clearly an outsider in Nashville’s music establishment, even throughout his successes as an in-demand songwriter and singer, eventually developing a core following around his raw, often obscene lyrics and a checkered and somewhat mysterious past.

David Allan Coe, the country singer-songwriter who wrote the working class anthem ā€œTake This Job and Shove Itā€ and had hits with ā€œYou Never Even Called Me By My Nameā€ and ā€œThe Rideā€ among others, has died, a representative for Coe confirmed to CBS News. He was 86.

Coe died in a hospital around 5 p.m. Wednesday, his manager David Wade confirmed to CBS News in a statement Thursday. The cause of death wasn’t disclosed.

ā€œHe was a complicated man, an outlaw, and a great Songwriter, Singer, and Showman,ā€ Coe said. ā€œHe had fans from around the world and appreciated them all.ā€

Coe’s wife, Kimberly Hastings Coe, told Rolling Stone he was one of the best singers and songwriters of our time.

ā€œMy husband, my friend, my confidant and my life for many years. I’ll never forget him and I don’t want anyone else to ever forget him either,ā€ she wrote to the publication.

Whether he was labeled outlaw or underground, Coe was clearly an outsider in Nashville’s music establishment, even throughout his successes as an in-demand songwriter and singer, eventually developing a core following around his raw, often obscene lyrics and a checkered and somewhat mysterious past.

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